{"id":4551,"date":"2025-05-28T21:30:33","date_gmt":"2025-05-29T01:30:33","guid":{"rendered":"https:\/\/artsci.case.edu\/magazine\/?p=4551"},"modified":"2025-07-03T12:45:16","modified_gmt":"2025-07-03T16:45:16","slug":"layers-of-creation","status":"publish","type":"post","link":"https:\/\/artsci.case.edu\/magazine\/2025\/layers-of-creation\/","title":{"rendered":"Layers of Creation"},"content":{"rendered":"<div id=\"attachment_4561\" style=\"width: 249px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-4561\" loading=\"lazy\" class=\"wp-image-4561 img-responsive\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/147\/2025\/05\/30154732\/1959.349_websized.jpg\" alt=\"A sculpture in black chlorite of Maya, the mother of the Buddha, who is held to the left by a god rendered much smaller than Maya. Another smaller god is to the right of Maya.\" width=\"239\" height=\"350\" \/><p id=\"caption-attachment-4561\" class=\"wp-caption-text\"><i>Birth of Buddha<\/i>, sculpted in Bengal, India, from black chlorite in the 800s is featured in the <i>Creation, Birth and Rebirth<\/i> exhibition at the Cleveland Museum of Art. The exhibition is a collaboration between the museum and the medieval art program in the College of Art and Sciences. The sculpture is from the collections of the Cleveland Museum of Art. | Photo by Cleveland Museum of Art<\/p><\/div>\n<p><span style=\"font-weight: 400\">During the Middle Ages, artists and the patrons who commissioned their work grappled with fundamental questions about the universe, seeking to make sense of the world\u2019s creation and the cycles of life in clay and in stone, and rendered on palm leaves, parchment and paper.<\/span><\/p>\n<div id=\"attachment_4562\" style=\"width: 231px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-4562\" loading=\"lazy\" class=\"wp-image-4562 img-responsive\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/147\/2025\/05\/30155106\/1984.157_websized.jpg\" alt=\"A standing limestone carving of the Virgin Mary standing and nursing the infant Jesus.\" width=\"221\" height=\"375\" \/><p id=\"caption-attachment-4562\" class=\"wp-caption-text\"><i>Virgin Nursing the Christ Child<\/i> carved from limestone around 1370 in France and part of the collaborative exhibition. From the collections of the Cleveland Museum of Art. | Photo by Cleveland Museum of Art<\/p><\/div>\n<p><span style=\"font-weight: 400\">Separated by centuries, continents and cultures, they fashioned works evoking sacred narratives about the creation of the world and miraculous births central to Christianity, Hinduism, Jainism, Buddhism and Mesoamerican religions.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Starting last August, 17 such works from the collections of the <\/span><a href=\"https:\/\/www.clevelandart.org\/home\"><span style=\"font-weight: 400\">Cleveland Museum of Art<\/span><\/a><span style=\"font-weight: 400\"> (CMA) have been exhibited in the <\/span><a href=\"https:\/\/www.clevelandart.org\/exhibitions\/creation-birth-and-rebirth\"><i><span style=\"font-weight: 400\">Creation, Birth and Rebirth<\/span><\/i> <\/a><span style=\"font-weight: 400\">show, the result of a collaboration between the museum and the medieval art program in the <\/span><a href=\"https:\/\/artsci.case.edu\/\"><span style=\"font-weight: 400\">College of Art and Sciences<\/span><\/a><span style=\"font-weight: 400\"> at <\/span><a href=\"https:\/\/case.edu\/\"><span style=\"font-weight: 400\">Case Western Reserve University<\/span><\/a><span style=\"font-weight: 400\">. Assembled in one gallery for the first time, the objects collectively raise intriguing questions about the shared and different perspectives on divine conception and creation, whether explored in sculptures of gods carved in India in the ninth century or in art depicting the infant Jesus in his mother&#8217;s arms and made in France 500 years later.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cWe wanted to show how interconnected\u2014visually and conceptually\u2014the medieval world was and explore the role of images in making sense of the universe,\u201d said <\/span><a href=\"https:\/\/arthistory.case.edu\/faculty\/elina-gertsman\/\"><b>Elina Gertsman<\/b><\/a><span style=\"font-weight: 400\">, PhD, a Distinguished University Professor and the Andrew W. Mellon Professor in the Humanities.\u00a0<\/span><\/p>\n<div id=\"attachment_4564\" style=\"width: 228px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-4564\" loading=\"lazy\" class=\"wp-image-4564 img-responsive\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/147\/2025\/05\/30155857\/Gertzman_bio-portrait.jpg\" alt=\"A black-and-white photograph of a woman with arms crossed and smiling at the camera.\" width=\"218\" height=\"330\" \/><p id=\"caption-attachment-4564\" class=\"wp-caption-text\">Elina Gertsman, a Distinguished University Professor, co-led development of the <i>Creation, Birth and Rebirth<\/i> exhibition at the Cleveland Museum of Art.<\/p><\/div>\n<p><span style=\"font-weight: 400\">Gertsman co-led development of the exhibition with <\/span><a href=\"https:\/\/www.clevelandart.org\/about-collection\/meet-curators\/gerhard-lutz\"><span style=\"font-weight: 400\">Gerhard Lutz<\/span><\/a><span style=\"font-weight: 400\">, PhD, CMA\u2019s Robert P. Bergman Curator of Medieval Art.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The exhibition of art from India, China, Mexico and across Europe is the culmination of a yearslong partnership that grew as a result of the joint program between the college\u2019s Department of Art History and Art and CMA. It was funded, in part, by the <\/span><a href=\"https:\/\/www.mellon.org\/\"><span style=\"font-weight: 400\">Mellon Foundation<\/span><\/a><span style=\"font-weight: 400\">. The show continues through mid-July and also encourages visitors to explore related objects in other museum galleries.<\/span><\/p>\n<div id=\"attachment_4567\" style=\"width: 311px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-4567\" loading=\"lazy\" class=\"wp-image-4567 img-responsive\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/147\/2025\/05\/30160040\/Rebekkah_Hart_IMG_0210-websized.jpg\" alt=\"A woman in a museum gallery looking at a painting and gesturing\" width=\"301\" height=\"213\" \/><p id=\"caption-attachment-4567\" class=\"wp-caption-text\">Rebekkah Hart, a doctoral student in the College of Arts and Sciences, worked on the exhibition.<\/p><\/div>\n<p><span style=\"font-weight: 400\">Creating the exhibition gave graduate students who took a seminar taught by Gertsman and Lutz the chance to interact with the medieval objects, develop scholarly understanding of several visual traditions, and write wall text, object labels and portions of the gallery booklet. In the process they became deeply immersed in several forms of creation: their own in helping develop the exhibition, that of the long-ago artists whose work endures, and the creation of the universe as it was understood across the Middle Ages.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cIt was a powerful experience,\u201d said doctoral student <\/span><a href=\"https:\/\/arthistory.case.edu\/graduate-students\/\"><b>Rebekkah Hart<\/b><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>During the Middle Ages, artists and the patrons who commissioned their work grappled with fundamental questions about the universe, seeking to make sense of the world\u2019s creation and the cycles of life in clay and in stone, and rendered on palm leaves, parchment and paper. <a class=\"read-more\" href=\"https:\/\/artsci.case.edu\/magazine\/2025\/layers-of-creation\/\">&#8230;Read more.<\/a><\/p>\n","protected":false},"author":481,"featured_media":4561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[70],"tags":[],"acf":[],"jetpack_featured_media_url":"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/147\/2025\/05\/30154732\/1959.349_websized.jpg","_links":{"self":[{"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/posts\/4551"}],"collection":[{"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/users\/481"}],"replies":[{"embeddable":true,"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/comments?post=4551"}],"version-history":[{"count":10,"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/posts\/4551\/revisions"}],"predecessor-version":[{"id":4850,"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/posts\/4551\/revisions\/4850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/media\/4561"}],"wp:attachment":[{"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/media?parent=4551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/categories?post=4551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artsci.case.edu\/magazine\/wp-json\/wp\/v2\/tags?post=4551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}