{"id":333,"date":"2024-11-22T20:30:53","date_gmt":"2024-11-22T20:30:53","guid":{"rendered":"https:\/\/artsci.case.edu\/neh\/?page_id=333"},"modified":"2024-12-09T15:39:53","modified_gmt":"2024-12-09T15:39:53","slug":"essays","status":"publish","type":"page","link":"https:\/\/artsci.case.edu\/neh\/essays\/","title":{"rendered":"Essays"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text]Shani Avni and Richard Kegler, \u201cHebrew Typecasting Pilot Program at Bixler Letterfoundry,\u201d American Printing History Association (August 26, 2023)<\/span>.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fprintinghistory.org%2Fhebrew-typecasting-bixler-recap%2F||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Shani Avni, \u201cHebrew Type Anatomy,\u201d Type Together (September 2021).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fwww.type-together.com%2Fhebrew-type-anatomy||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Leora Auslander, \u201cBeyond Words,\u201d <\/span>The American Historical Review<\/span><\/i> 110:4 (October 2005): 1015-1045.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.1086%2Fahr.110.4.1015||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Barbara Mann, \u201cGood to Think With: Three Novels of Modern Jewish Life,\u201d <\/span>Comparative Literature<\/span><\/i> 70:4 (2018): 444-465.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fdoi.org%2F10.1215%2F00104124-7215495||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Barbara Mann, \u201cThe Scholar and the Bookmaker: On Encountering the Material Side of Things,\u201d <\/span>In geveb<\/span><\/i> (March 2019).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fingeveb.org%2Fblog%2Fthe-scholar-and-the-bookmaker||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Courtney \u201cJet\u201d Jacobs, Marcia McIntosh, Kevin M. O\u2019Sullivan, \u201cThe Bibliographical Maker Movement,\u201d <\/span>Knygotyra<\/span><\/i> 78 (June 27, 2022).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fdoi.org%2F10.15388%2FKnygotyra.2022.78.111||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Ryan Cordell, Kyungwon Koh, Isabella Viega, \u201cSurveying the Humanities MakerLab Movement,\u201d <\/span>University of Illinois-Champaign<\/span><\/i> (2024).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fworks.hcommons.org%2Frecords%2Fmnzk3-j8m82||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Shani Avni, \u201cIsmar David\u2019s Quest for Original Hebrew Typographic Signs,\u201d <\/span>Visible Language <\/span><\/i>(April 19, 2019).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fjournals.uc.edu%2Findex.php%2Fvl%2Farticle%2Fview%2F4623||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Shani Avni, \u201cDavid Hebrew: The First Multi-Style Hebrew Typeface Family,\u201d MA Dissertation, University of Reading. Type Culture (19 March, 2017).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fwww.typeculture.com%2Facademic-resource%2Farticles-essays%2Fdavid-hebrew-first-multi-style-hebrew-typeface-family%2F||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Shani Avni, \u201cThe Important Job of the Left Thumb,\u201d Alphabettes (December 5, 2017).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fwww.alphabettes.org%2Fremember-december-the-important-job-of-the-left-thumb%2F||target:%20_blank|”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text]Shani Avni and Richard Kegler, \u201cHebrew Typecasting Pilot Program at Bixler Letterfoundry,\u201d American Printing History Association (August 26, 2023).[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fprintinghistory.org%2Fhebrew-typecasting-bixler-recap%2F||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Shani Avni, \u201cHebrew Type Anatomy,\u201d Type Together (September 2021).[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fwww.type-together.com%2Fhebrew-type-anatomy||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Leora Auslander, \u201cBeyond Words,\u201d The American Historical Review<\/i> 110:4 (October 2005): 1015-1045.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.1086%2Fahr.110.4.1015||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Barbara Mann, \u201cGood to Think With: Three Novels of Modern Jewish Life,\u201d Comparative Literature<\/i> 70:4 (2018): 444-465.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square” color=”mulled_wine” align=”center” link=”url:https%3A%2F%2Fdoi.org%2F10.1215%2F00104124-7215495||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Barbara Mann, \u201cThe Scholar and the Bookmaker: On Encountering the Material Side of Things,\u201d In geveb<\/i> (March 2019).[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_icon icon_fontawesome=”fa fa-pencil-square”<\/p>\n

Continue reading… Essays<\/span><\/a><\/p>\n","protected":false},"author":501,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/pages\/333"}],"collection":[{"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/users\/501"}],"replies":[{"embeddable":true,"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/comments?post=333"}],"version-history":[{"count":7,"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/pages\/333\/revisions"}],"predecessor-version":[{"id":417,"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/pages\/333\/revisions\/417"}],"wp:attachment":[{"href":"https:\/\/artsci.case.edu\/neh\/wp-json\/wp\/v2\/media?parent=333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}